01. Symphony No. 3 in F major, Op. 90 (Johannes Brahms) 1. Allegro con brio Live
02. Symphony No. 3 in F major, Op. 90 (Johannes Brahms) 2. Andante Live
03. Symphony No. 3 in F major, Op. 90 (Johannes Brahms) 3. Poco allegretto Live
04. Symphony No. 3 in F major, Op. 90 (Johannes Brahms) 4. Allegro Live
05. Symphony No. 4 in E minor, Op. 98 (Johannes Brahms) 1. Allegro non troppo Live
06. Symphony No. 4 in E minor, Op. 98 (Johannes Brahms) 2. Andante moderato Live
07. Symphony No. 4 in E minor, Op. 98 (Johannes Brahms) 3. Allegro giocoso Live
08. Symphony No. 4 in E minor, Op. 98 (Johannes Brahms) 4. Allegro energico e passionato Live
Epic. Magnificent. Generous. Flowing. Majestic. Surprising. Overwhelming. And above all –Joyous. The two final symphonies of Johannes Brahms are undisputed masterpieces passionate, intensely lyrical, a thrilling blend of grandeur and intimacy. In the hands of Richard Tognettiand the Australian Chamber Orchestra, these soaring yet deeply personal works spring to life, revealing new delights at every turn.
For these performances, the ACO has expanded to include the unique colours of wind instruments from Brahms’ own world. The resulting sound, in the words of the Sydney Morning Herald review, was ‘a revelation superbly blended horns and trumpets without the bright blare of a modern symphonic sound, an agile, liquid tone from flutes and clarinets and a gorgeous warmth in the lowerwind and brass, all matched with a string sound with a bold but never harsh attack.’ With a total size of around 50 players, these recordings show the ACO at its fullest strength, well beyond its usual compact forces, yet maintaining its trademark clarity andvitality. This is in line with the Brahms himself, who refused to allow the orchestra to be augmented beyond 48 players for the premiere of his Fourth Symphony. Here we encounter the full flowering of Brahms’ symphonic genius a composer profoundly aware of the richness of his own musical heritage, yet determined to push the boundaries into new realms of expressive power. A musician utterly at home with the wild fire of gypsy music, yet finding inspiration for the finale of his Fourth Symphony in a choraleofJ.S. Bach. A master of orchestral sonority, an artist with an unmatched understanding of musical architecture, and a poet whose musical language encompasses the breadth of human experience.