Asya Selyutina – Nikita Koshkin 24 Preludes & Fugues, Vol. 1 2019 Hi-Res

Asya Selyutina – Nikita Koshkin 24 Preludes & Fugues, Vol. 1 2019 Hi-Res

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信息属性
  • 艺术家
  • Asya Selyutina
  • 发行年份
  • 2019
  • 音乐类型
  • Classical
  • 音质
  • flac lossless / flac 24bits - 44.1kHz
  • 歌曲时长
  • 00:58:19
  • 文件大小
  • 239/486mb
详情介绍

———
01. 24 Preludes & Fugues, Vol. 1 Prelude No. 1 in C Major
02. 24 Preludes & Fugues, Vol. 1 Fugue No. 1 in C Major
03. 24 Preludes & Fugues, Vol. 1 Prelude No. 2 in A Minor
04. 24 Preludes & Fugues, Vol. 1 Fugue No. 2 in A Minor
05. 24 Preludes & Fugues, Vol. 1 Prelude No. 3 in G Major
06. 24 Preludes & Fugues, Vol. 1 Fugue No. 3 in G Major
07. 24 Preludes & Fugues, Vol. 1 Prelude No. 4 in E Minor
08. 24 Preludes & Fugues, Vol. 1 Fugue No. 4 in E Minor
09. 24 Preludes & Fugues, Vol. 1 Prelude No. 5 in D Major
10. 24 Preludes & Fugues, Vol. 1 Fugue No. 5 in D Major
11. 24 Preludes & Fugues, Vol. 1 Prelude No. 6 in B Minor
12. 24 Preludes & Fugues, Vol. 1 Fugue No. 6 in B Minor
13. 24 Preludes & Fugues, Vol. 1 Prelude No. 7 in A Major
14. 24 Preludes & Fugues, Vol. 1 Fugue No. 7 in A Major
15. 24 Preludes & Fugues, Vol. 1 Prelude No. 8 in F-Sharp Minor
16. 24 Preludes & Fugues, Vol. 1 Fugue No. 8 in F-Sharp Minor
17. 24 Preludes & Fugues, Vol. 1 Prelude No. 9 in E Major
18. 24 Preludes & Fugues, Vol. 1 Fugue No. 9 in E Major
19. 24 Preludes & Fugues, Vol. 1 Prelude No. 10 in C-Sharp Minor
20. 24 Preludes & Fugues, Vol. 1 Fugue No. 10 in C-Sharp Minor
21. 24 Preludes & Fugues, Vol. 1 Prelude No. 11 in B Major
22. 24 Preludes & Fugues, Vol. 1 Fugue No. 11 in B Major
23. 24 Preludes & Fugues, Vol. 1 Prelude No. 12 in G-Sharp Minor
24. 24 Preludes & Fugues, Vol. 1 Fugue No. 12 in G-Sharp Minor

Moscow-born Nikita Koshkin won international fame for his 1980 score ‘The Prince’s Toys’ and has since established himself as one of the greatest creative composers for the contemporary guitar. His ’24 Preludes and Fugues for Solo Guitar’, of which this is the first volume, is a compendium of musical styles, colours and effects. It is both a virtuosic tour de force and an expressively complex undertaking that demands unremitting technical command and absolute interpretative clarity from the performer.

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