01. Organ Symphony No. 3 in E Minor, Op. 13 No. 3 I. Prélude
02. Organ Symphony No. 3 in E Minor, Op. 13 No. 3 II. Minuetto
03. Organ Symphony No. 3 in E Minor, Op. 13 No. 3 III. Marcia
04. Organ Symphony No. 3 in E Minor, Op. 13 No. 3 IV. Adagio
05. Organ Symphony No. 3 in E Minor, Op. 13 No. 3 V. Finale
06. Organ Symphony No. 2 in D Major, Op. 13 No. 2 “La chasse” IV. Scherzo
07. Organ Symphony No. 4 in F Minor, Op. 13 No. 4 I. Toccata
08. Organ Symphony No. 4 in F Minor, Op. 13 No. 4 II. Fugue
09. Organ Symphony No. 4 in F Minor, Op. 13 No. 4 III. Andante cantabile
10. Organ Symphony No. 4 in F Minor, Op. 13 No. 4 IV. Scherzo
11. Organ Symphony No. 4 in F Minor, Op. 13 No. 4 V. Adagio
12. Organ Symphony No. 4 in F Minor, Op. 13 No. 4 VI. Finale

Charles-Marie Widor was a hugely influential and venerated musician in his day, and his innovative organ symphonies are both a pinnacle of the repertoire and a testament to his creative and technical mastery of the instrument. These spectacular works are in the grand Romantic manner, but Widor was keenly aware of his musical ancestry, referring to music of the past such as Bach’s St. Matthew Passion in the opening of the Third Symphony. The Scherzo of the Fourth Symphony is one of Widor’s finest symphonic movements, exploring the organ’s sonic beauties. The original E major Scherzo from the Symphony No. 2, which Widor subsequently replaced with a Salve Regina (see Volume 1 of the series), can be heard on the Track 6.