Siberian Symphony Orchestra & Dmitry Vasiliev – Shebalin Orchestral Music, Vol. 2 2020 Hi-Res

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01. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) I. Introduction
02. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) II. Laura’s Dance
03. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) III. Habanera
04. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) IV. Intermezzo
05. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) V. Scene-Serenade
06. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) VI. Chant in the Convent
07. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) VII. Fast Dance
08. Orchestral Suite No. 3, Op. 61 (Arr. L. Feigin 1963) VIII. Finale
09. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986) I. Introduction
10. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986) II. Arrival of the Guests
11. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986) III. Waltz
12. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986) IV. Erlynne’s Wait
13. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986) V. Dance of the Dolls
14. Orchestral Suite No. 4, Op. 62 (Arr. V. Agafonnikov 1986) VI. Farewell Waltz
15. Ballet Suite (Arr. L. Feigin 1973) I. Introduction-Waltz
16. Ballet Suite (Arr. L. Feigin 1973) II. Nocturne
17. Ballet Suite (Arr. L. Feigin 1973) III. Dance of the Girls
18. Ballet Suite (Arr. L. Feigin 1973) IV. Adagio
19. Ballet Suite (Arr. L. Feigin 1973) V. Gavotte
20. Ballet Suite (Arr. L. Feigin 1973) VI. Slow Waltz
21. Ballet Suite (Arr. L. Feigin 1973) VII. Galop

Like his close friend and colleague Dmitry Shostakovich, Vissarion Shebalin (1902–63) knew a life of both celebrity and hardship he was another of the composers condemned in the infamous 1948 Party congress in Moscow, and in later life he fought to overcome a series of crippling strokes. But his personality remained undaunted, as his music resolutely proves. This is the first recording of his Third and Fourth Suites and Ballet Suite, all three prepared from theatre music, and showing the lighter side of Shebalin’s symphonic muse, similar in style to the dance music of Shostakovich and Prokofiev. They have been recorded by the orchestra of his home town, Omsk, the capital of Siberia.

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