01. Requiebros
02. Goyescas Intermezzo (Transcr. G. Cassado for Cello & Piano)
03. Suite populaire espagnole (Transcr. M. Marechal for Cello & Piano) I. El pano moruno
04. Suite populaire espagnole (Transcr. M. Marechal for Cello & Piano) II. Nana
05. Suite populaire espagnole (Transcr. M. Marechal for Cello & Piano) III. Cancion
06. Suite populaire espagnole (Transcr. M. Marechal for Cello & Piano) IV. Polo
07. Suite populaire espagnole (Transcr. M. Marechal for Cello & Piano) V. Asturiana
08. Suite populaire espagnole (Transcr. M. Marechal for Cello & Piano) VI. Jota
09. Chasse au moment (From Moment)
10. Vocalise-etude en forme de Habanera, M. 51 (Transcr. P. Bazelaire for Cello & Piano)
11. Lied III
12. 3 Songs, Op. 7 No. 1, Apres un reve (Transcr. P. Casals for Cello & Piano)
13. Le carnaval des animaux, R. 125 XIII. Le cygne (Version for Cello & Piano)
14. 5 Stucke im Volkston, Op. 102 (Version for Cello & Piano) No. 1, Mit Humor
15. 5 Stucke im Volkston, Op. 102 (Version for Cello & Piano) No. 2, Langsam
16. 5 Stucke im Volkston, Op. 102 (Version for Cello & Piano) No. 3, Nicht Schnell, mit viel Ton zu spielen
17. 5 Stucke im Volkston, Op. 102 (Version for Cello & Piano) No. 4, Nicht zu rasch
18. 5 Stucke im Volkston, Op. 102 (Version for Cello & Piano) No. 5, Stark und markiert
19. Allegro appassionato in B Minor, Op. 43, R. 194 (Version for Cello & Piano)

Gaspar Cassado’s Requiebros, dedicated to his teacher Pablo Casals, was one of the few pieces which Rohan de Saram studied with him and heard him perform many times. During the first two decades of the 20th century in Paris, Cassad came into contact with both de Falla and Ravel. Hence the inclusion of works by de Falla and Ravel on this album.

Schumann’s Funf Stcke im Volkston was inspired by folk idiom as was de Falla’s Suite populaire espagnole. Granados, Faure and Saint-Saens were composers closely connected either as friends or as teacher-pupil with de Falla and Ravel during that period in Paris. De Saram and Yamamoto performed this programme at the Takefu International Music Festival, Japan at the invitation of the director, the composer Toshio Hosokawa, whose Lied III formed part of the programme.