01. Toccata del sesto tono in F Major (Arr. for Virginal)
02. Per dolor mi bagno il viso (Arr. for Virginal)
03. Che debbio fare (Arr. for Virginal)
04. Madame, vous avez mon cuor (Arr. for Virginal)
05. Io mi sono gioveneta (Arr. for Virginal)
06. Gazollo (Arr. for Virginal)
07. La moretta (Arr. for Virginal)
08. Il cramoneso (Arr. for Virginal)
09. Caza la vegia milanese (Arr. for Virginal)
10. Amarilli mia bella (Arr. for Virginal)
11. Canzon sopra “Faultre d’argent” (Arr. for Harpsichord)
12. Pavana-Saltarello de la pavana (Arr. for Harpsichord)
13. Tenore del passo e mezzo (Arr. for Harpsichord)
14. Canzon prima (Arr. for Harpsichord)
15. Balli d’arpicordo (Excerpts) III. Ballo ditto il Pichi
16. Capriccio sopra il pass’e mezzo antico (Arr. for Virginal)
17. O sacrum convivium (Arr. for Virginal)
18. Canzon francese, Ch. 232 (Arr. for Virginal)
19. Congratulamini, Ch. 54 (Arr. for Virginal)
20. Balli d’arpicordo (Excerpts) I. Pass’e mezzo
21. Balli d’arpicordo (Excerpts) II. Saltarello del Pass’e mezzo
22. Balli d’arpicordo (Excerpts) VII. Todesca
23. Balli d’arpicordo (Excerpts) VI. Ballo ongaro
24. Fantasia No. 3 (Arr. for Virginal)
25. Canzon No. 9 “La Graziosa” (Arr. for Virginal)

FRANCISCI MAGNUS AMOR is a new recording, exploring the great love of a collector and enthusiast of early keyboard instruments. A large number of copies of historical keyboard instruments (not to mention new constructions) level out the different registers of their originals in favour of a sound that is as homogeneous as possible. Peter Waldner lets us discover here, on the basis of two lovingly and meticulously restored historical instruments from the 16th century, a little-known fascinating world of sound that also has its rough edges.