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01. Homenaje a Toulouse-Lautrec
02. Habanera
03. Marieta
04. Adelita
05. Lágrima
06. Suite for Guitar “Platero y yo” I. Platero
07. Suite for Guitar “Platero y yo” II. El loco
08. Suite for Guitar “Platero y yo” III. La azotea
09. Suite for Guitar “Platero y yo” IV. Darbón
10. Suite for Guitar “Platero y yo” V. Paseo
11. Suite for Guitar “Platero y yo” VI. La tortuga
12. Suite for Guitar “Platero y yo” VII. La muerte
13. Suite for Guitar “Platero y yo” VIII. A platero en su tierra
14. Sue?o
15. Waltz in D Major
16. Rosita
17. 21 Preludios vascos, Cuaderno 2 No. 6, Dolor (Arr. for Guitar)
18. Estudio sin luz
19. Piezas características No. 1, Preámbulo
20. Piezas características No. 2, Oliveras
21. Piezas características No. 3, Burgalesa
22. Piezas características No. 4, Los mayos
23. Piezas características No. 5, Albada
24. Piezas características No. 6, Panorama

Platero and I is based on the prose poem of the same title at the Nobel Prize in Literature, but de La Martha’s composer has a clear reference to the text. The Tedesco version uses a method in which the prose poem itself is read and read, but the de la Martha version succeeds in expressing a poetic worldview using only the sound of the guitar.
There is also a sound world that can only be expressed with a guitar alone, such as Trova’s “Characteristic small pieces” that makes you feel the dry air of the Castile region of Spain, and “Lightless practice songs” depicting the image of Segovia’s mental scenery. The interludes of Tarrega’s small pieces will clearly show the change in classical guitar writing from romantic to modern. In this album, it has a strong meaning as a bridge between the works of De La Martha and Trouba.
What kind of scenery can be drawn with the sound of the guitar… The album content allows you to feel the trajectory of masters who played an active part in modern times.