Magnard Ensemble – Dodgson Chamber Music, Vol. 5 2020 Hi-Res 24bits – 96.0kHz

Magnard Ensemble – Dodgson Chamber Music, Vol. 5 2020 Hi-Res 24bits – 96.0kHz

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  • 艺术家
  • Magnard Ensemble
  • 发行年份
  • 2020
  • 音乐类型
  • 古典
  • 音质
  • mp3 320 kbps / flac lossless / flac 24bits - 96.0kHz +Booklet
  • 歌曲时长
  • 01:19:59
  • 文件大小
  • 194/355mb/1.4gb

01. Quintet for Winds & Piano I. Poco lento – Allegro – Poco lento
02. Quintet for Winds & Piano II. Allegro
03. Serenade for Oboe, Clarinet & Bassoon I. Poco lento
04. Serenade for Oboe, Clarinet & Bassoon II. Allegro ben moderato
05. Serenade for Oboe, Clarinet & Bassoon III. Andante
06. Serenade for Oboe, Clarinet & Bassoon IV. Vivace
07. Baermann’s Treasure Introduction. Andante maestoso
08. Baermann’s Treasure Theme. Poco allegro, amabile
09. Baermann’s Treasure Var. 1. Alla Mazurka
10. Baermann’s Treasure Var. 2
11. Baermann’s Treasure Var. 3. Scherzando
12. Baermann’s Treasure Var. 4
13. Baermann’s Treasure Var. 5. Più tranquillo. Semplice
14. Baermann’s Treasure Var. 6. Allegro vivace
15. Baermann’s Treasure, the Sequel (Further, Freer Variations)
16. Suite for Wind Quintet I. Ouverture
17. Suite for Wind Quintet II. Pastorale
18. Suite for Wind Quintet III. Menuets I & II
19. Suite for Wind Quintet IV. Musette
20. Suite for Wind Quintet V. Rondeau
21. Duo for Horn & Harp I. Andante
22. Duo for Horn & Harp II. Allegro scherzando
23. Duo for Horn & Harp III. Moderato
24. Promenade No. 2 for Wind Quintet

This fourth album in the Toccata Classics survey of the chamber music of London-born Stephen Dodgson (1924–2013) offers a first installment of his many works for woodwinds. Much of it brings Dodgson’s sense of fun to the fore, often through rhythmic mischief or an insouciance that recalls Poulenc, but it also has that particularly English strain of lyricism that suggests the impermanence of beauty. British composer and broadcaster Stephen Dodgson’s prolific musical output covered most genres, ranging from opera and large-scale orchestral music to chamber and instrumental music, as well as choral works and song. He wrote in a tonal, though sometimes unconventional, idiom. Paul Griffiths, in The Oxford Companion to Music, writes that Dodgson “proved adept at producing likable, well-crafted music to order, often for unusual chamber ensembles.”