Lara St. John Matt Herskowitz – Key of A Beethoven Sonata No. 9 – Franck Sonata 2020 Hi-Res 24bits – 96.0kHz

Lara St. John Matt Herskowitz – Key of A Beethoven Sonata No. 9 – Franck Sonata 2020 Hi-Res 24bits – 96.0kHz

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信息属性
  • 艺术家
  • Lara St. John
  • 发行年份
  • 2020
  • 音乐类型
  • 古典
  • 音质
  • flac lossless / flac 24bits - 96.0kHz +Booklet
  • 歌曲时长
  • 00:59:35
  • 文件大小
  • 296mb/1.13gb
详情介绍

01. Violin Sonata No. 9 in A Major, Op. 47 “Kreutzer” I. Adagio sostenuto-Presto
02. Violin Sonata No. 9 in A Major, Op. 47 “Kreutzer” II. Andante con variazioni
03. Violin Sonata No. 9 in A Major, Op. 47 “Kreutzer” III. Presto
04. Violin Sonata in A Major I. Allegretto ben moderato
05. Violin Sonata in A Major II. Allegro
06. Violin Sonata in A Major III. Ben moderato Recitativo-Fantasia
07. Violin Sonata in A Major IV. Allegretto poco mosso
08. 3 Old Viennese Dances III. Sch?n Rosmarin

Violinist Lara St. John will release her new album Key of A with pianist Matt Herskowitz on April 17, 2020. The album pairs Beethoven’s Violin Sonata No. 9, “Kreutzer” in A Major with Cesar Franck’s Sonata in A Major for Violin and Piano, and also includes Fritz Kreisler’s Sch?n Rosmarin.

Says Lara St. John about the program “I’m a bit of a strange violinist, and when I was a kid, supposed to be learning all these normal works that folks do, instead I was learning Bartok solo sonata and Debussy, and Beethoven Concerto and 10th Sonata, and I just sort of missed some of these more ‘normal’ pieces. I learned both of these sonatas rather late in life – in my late 20s. When I first asked Matt to do the Franck, which we have been playing together now for many years, I had performed it once or twice before, but had never been entirely free of normal pianists’ ideas of ‘tradition’, which I found hobbling and somewhat nonsensical. As for the Beethoven 9 (Kreutzer), I had been waiting for a pianist who would be able to keep up with the extremes I envisioned for this piece, tempo and volume-wise. Obviously, old Ludwig wanted the pianist to improvise, which is what Matt does in the piano cadenzas.”

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