Keigo Mukawa – J.S. Bach, Liszt & Ravel Piano Works 2020 Hi-Res 24bits – 192.0kHz

Keigo Mukawa – J.S. Bach, Liszt & Ravel Piano Works 2020 Hi-Res 24bits – 192.0kHz

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信息属性
  • 艺术家
  • Keigo Mukawa
  • 发行年份
  • 2020
  • 音乐类型
  • 古典
  • 音质
  • mp3 320 kbps / flac lossless / flac 24bits - 192.0kHz +Booklet
  • 歌曲时长
  • 01:02:04
  • 文件大小
  • 161/214/1.9gb
详情介绍

———
01. Prélude, M. 65
02. Le tombeau de Couperin, M. 68 I. Prélude
03. Le tombeau de Couperin, M. 68 II. Fugue
04. Le tombeau de Couperin, M. 68 III. Forlane
05. Le tombeau de Couperin, M. 68 IV. Rigaudon
06. Le tombeau de Couperin, M. 68 V. Menuet
07. Le tombeau de Couperin, M. 68 VI. Toccata
08. Menuet in C-Sharp Minor, M. 42
09. à la manière de Borodin, M. 63 No. 1
10. à la manière de Chabrier, M. 63 No. 2
11. Menuet sur le nom d’Haydn, M. 58
12. Ballade No. 2 in B Minor, S. 171
13. Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” I. Arioso. Adagio
14. Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” II. Andante
15. Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” III. Adagiosissimo
16. Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” IV. Andante con moto
17. Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” V. Aria del postiglione. Allegro poco
18. Capriccio in B-Flat Major, BWV 992 “On the Departure of the Beloved Brother” VI. Fuga all’ imitazione della posta

Japanese pianist Keigo MuKawa’s program explores the themes of farewell, loss, and remembrance. The selection of works encompasses a time span of more than two centuries. It begins with the master of the Baroque Johann Sebastian Bach, moving on to a virtuosic composition by Franz Liszt and works by Maurice Ravel. The Frenchman based the pieces featured here on Baroque and Classical forms, and thus we come full circle. Another common character trait is the fact that the limits of the keyboard are tested and broken, such as the imitation of the posthorns in the Bach, in Liszt ’s creation of highly contrasting sound fields and finally with Maurice Ravel’s later orchestration. It is also noteworthy to ponder whether and to what extent these pieces rely on extramusical programs.

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