James Dutton Oliver Davies – Idyll – The English Flute Unheard 2018 Hi-Res 24bits – 96.0kHz

James Dutton Oliver Davies – Idyll – The English Flute Unheard 2018 Hi-Res 24bits – 96.0kHz

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信息属性
  • 艺术家
  • James Dutton
  • 发行年份
  • 2018
  • 音乐类型
  • 古典
  • 音质
  • flac lossless / flac 24bits - 96.0kHz +Booklet
  • 歌曲时长
  • 01:15:07
  • 文件大小
  • 302mb/1.31gb
详情介绍

01. Idyll
02. Suite in 3 Movements, Op. 64 I. Passacaglia
03. Suite in 3 Movements, Op. 64 II. Saraband
04. Suite in 3 Movements, Op. 64 III. Jig
05. Theme & Variations, Op. 73
06. Flute Sonata in C Major, Op. 69 I. Allegro
07. Flute Sonata in C Major, Op. 69 II. Poco lento
08. Flute Sonata in C Major, Op. 69 III. Allegro leggiero
09. Suite in A Major, Op. 144 I. Prelude
10. Suite in A Major, Op. 144 II. Minuet
11. Suite in A Major, Op. 144 III. Sarabande
12. Suite in A Major, Op. 144 IV. Gavotte
13. Suite in A Major, Op. 144 V. Quick Dance
14. 3 Pastorals After Ronsard I. Tranquillo
15. 3 Pastorals After Ronsard II. Leggiero
16. 3 Pastorals After Ronsard III. Mesto
17. Flute Sonata, Op. 11 I. Allegro
18. Flute Sonata, Op. 11 II. Andante
19. Flute Sonata, Op. 11 III. Presto
20. Cantiga Morisca
21. Duettino

This recording contains forgotten gems for Flute and Piano from the 20th Century in a huge variety of styles, which have never been commercially recorded, as well as two works for Solo Flute. All of these composers and performers were associated with the Royal College of Music, either as teachers or students. Better known names include Cecil Armstrong Gibbs and Leonard Salzedo with lesser known but by no means lesser composers including Stanley Bate, Norman Demuth, Sir George Henschel, Robin Milford, Cyril Rootham, Richard Walthew and John White. The recording also demonstrates the influence of the French school of flute playing in the 20th Centurry and these excellent and sensitive performances have been beautifully captured in the lovely acoustic of the Yehudi Menuhin Hall by Recording Engineer Tony Faulkner and Producer Mike Purton. A recent review from ‘Pan’ Magazine, the journal of the British Flute Society says “This

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