Hamlet Piano Trio – Beethoven Piano Trios Op. 70 121 2017 Hi-Res 24bits – 192.0kHz

Hamlet Piano Trio – Beethoven Piano Trios Op. 70 121 2017 Hi-Res 24bits – 192.0kHz

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信息属性
  • 艺术家
  • Hamlet Piano Trio
  • 发行年份
  • 2017
  • 音乐类型
  • 古典
  • 音质
  • mp3 320 kbps / flac lossless / flac 24bits - 192.0kHz +Booklet
  • 歌曲时长
  • 01:15:49
  • 文件大小
  • 176/330mb/2.12gb
详情介绍

01. Piano Trio No.5 in D Major, Op. 70 No.1 “Geister-Trio” I. Allegro vivace e con brio
02. Piano Trio No.5 in D Major, Op. 70 No.1 “Geister-Trio” II. Largo assai ed espressivo
03. Piano Trio No.5 in D Major, Op. 70 No.1 “Geister-Trio” III. Presto
04. Piano Trio in E-Flat Major, Op. 70 No.2 I. Poco sostenuto-Allegro ma non troppo
05. Piano Trio in E-Flat Major, Op. 70 No.2 II. Allegretto
06. Piano Trio in E-Flat Major, Op. 70 No.2 III. Allegretto man non troppo
07. Piano Trio in E-Flat Major, Op. 70 No.2 IV. Finale. Allegro
08. 10 Variations on ‘Ich bin der Schneider Kakadu’, Op.121a

Three world-class musicians decided to join forces in 2011. As the Hamlet Piano Trio their reputation grows fast worldwide. All three have earned their stripes, both as soloists and as chamber musicians. Their first release of Mendelssohn Piano Trios received international critical acclaim. On this new release they focus on Beethoven whose ‘recalcitrant talent’ filled Vienna with mixes feeling for many Viennese did not understand this new music. (…) Too brutal, too headstrong, too restless, too obtrusive. The virtuosic pianist Beethoven nonetheless pursued his career as a composer. He entirely ignored the works he wrote in Bonn, beginning to count his opus numbers in Vienna afresh from the Piano Trios opus 1. They met with harsh criticism. ‘It cannot be denied that this man goes his own way. But what a bizar and tiresome way it is! Not a single tune, everything sounds recalcitrant. Again and again in search of peculiar modulations, nasty progressions and an accumulation of problems, so that we lose all patience and joy.’ Beethoven answered curtly ‘They don’t understand a thing’. His time was yet to come. Later on he called the critic in question ‘an ox’. (…) from liner notes by Clemens Romijn

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