Francesca Ajossa – Voci di donne 2020 Hi-Res 24bits – 96.0kHz

Francesca Ajossa – Voci di donne 2020 Hi-Res 24bits – 96.0kHz

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信息属性
  • 艺术家
  • Francesca Ajossa
  • 发行年份
  • 2020
  • 音乐类型
  • 古典
  • 音质
  • mp3 320 kbps / flac lossless / flac 24bits - 96.0kHz +Booklet
  • 歌曲时长
  • 01:16:48
  • 文件大小
  • 189/299mb/1.2gb
详情介绍

———
01. Introduzione e capriccio fugato
02. Berceuse for Organ
03. Fantasia & Fugue in D Minor I. Fantasia
04. Fantasia & Fugue in D Minor II. Fugue
05. Preludio, allegro, fantasia for Organ I. Preludio
06. Preludio, allegro, fantasia for Organ II. Allegro
07. Preludio, allegro, fantasia for Organ III. Fantasia
08. Improvviso & Toccata for Organ, Op. 33 I. Improvviso
09. Improvviso & Toccata for Organ, Op. 33 II. Toccata
10. 3 Quadri musicali per Claudia No. 1, Quasi una fantasia
11. 3 Quadri musicali per Claudia No. 2, Umbrae Ibant tunues
12. 3 Quadri musicali per Claudia No. 3, Giochi ostinati
13. Surfaces
14. Pascha rosarum
15. In Memoriam

Despite Music being a feminine noun in most of the languages, the world of music is predominantly dominated by men. If you were to ask a random passer-by to name a composer, no doubt that he or she could name a male one without too much trouble. Im afraid, though, that only few would name a female composer. And yet the relationship between women and music has always produced very interesting outcomes regarding both the performance as well as the composition. As early as the Renaissance there have been women who, despite the social and cultural context of their time, contributed to music with compositions that have nothing to envy to those of the most famous male composers. However, these pieces are very rarely considered as part of the repertoire and remain for the most part unknown. This project is dedicated to the organ music by female composers in the twentieth and twenty-first century, period in which the womens voice finally reached the masses thanks to the growth of the female presence in the composition field. An extraordinary repertoire for which I chose the great Mascioni organ of the Pontificio Istituto di Musica Sacra in Rome, a benchmark for sacred music from which we start telling for the first time this all pink page of history.

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